Eagle Eye

Movies No Comment

Review spoiler warning: minor plot spoilers

I have a firm belief that every type of movie can be great. Eagle Eye is part of a subgenre of film that has in general, has gotten a bad rap. This is in part due to the major amount of crap that is out there within this subgenre of ‘super-computer becoming too smart and goes crazy starting to destroy everyone and everything.’ In truth, Eagle Eye is the first movie in a long time within this subgenre that I would even consider good. Eagle Eye is a decent, action packed experience that I can honestly say I was not expecting.

After the tragic death of his twin brother, Jerry Shaw (LaBeouf) is forced into a deep plot, that brings him into the realization that his brother may not exactly be who he thought he knew him to be, and that he is neck deep in something he could never have imagined. We follow Jerry and his female companion thru an emotional and political whirlwind. With a decent story and decent acting, Eagle Eye was a decent cinematic experience for anyone who loves a car crashing, gun slinging, politically driven, evil super computer containing (who has a GUI any tech-buff will drool over), action packed movie will love. Oh, and there is a pretty good, thick story, and decent acting thrown in there too.

I am consistently impressed by the progression Shia LaBeouf has taken into becoming a good well-rounded actor. It is hard to remember him as the awkward pre-teen he played in Even Stevens, after cranking out good performances in pretty much every movie he has been in sense. Eagle Eye was no exception to this trend, his script seemed very rushed at parts, and he worked with what he had like the great actor he is turning into.

I think it is safe to say I enjoyed this movie, and I think anyone looking for just a decent action flick will too. One thing when you do see it, yes, there is a much simpler way to deal with the main problem of the movie, we all can see this. But hey, where would the fun be in that?

7/10 stars

Rated PG-13 for intense sequences of action and violence, and for language.

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